Auteur/autrice : admin

  • Daddy & Son Never Been So Hot – ManonMan Concert Review (2023)

    Daddy & Son Never Been So Hot – ManonMan Concert Review (2023)

    I saw Man On Man live in Montréal, the musical tale of a Daddy & a Son. A first for me : a gay rock show with other stuff than drags or non-binary people. Finally it happened to me! It did not feel queer more than it felt « brosy » and normal. To be honest, I find this vibe very hot. At some point, I felt they were both playing with their…. guitars….Sidenote, Daddy is the former drummer of Faith No More and the son is his boyfriend.

    The Creepiness of Web 3.0

    This is a band that was recommended to me by the algorithm. I guess it knows I’m gay and I would be attracted to them… And it worked…It is very weird to be bombarded by pictures of someone and then meeting them in real life to realize they have no idea who you are.

    A Great Album : Provincetown

    I enjoyed listening to the album. It is very intimate, soft and passionate. I think it was recorded at their home in Provincetown. I saw their stories and I can easily imagine they sang the songs to each other on their bed. The way sometimes the chorus sound like lullabies for children gives me that impression. It has a childish « teenager in love » vibe which is kind of cool and sweet.

    Favorite line : « I don’t get the references, but I get the message »

    Making music with Daddy has a nostalgic vibe

    Music wise, it was the setting of The Kills guit//synth + drum machine. I call it cold rock because of the mix of drums machines, guitares, synchronised synth pads and melodies. It has a square mechanical vibe that resembles the steady pace of electronic music unlike typical chaotic rock. It did have a feeling of nostalgia.

    In fact, their whole album (like I bought a cd and they where like « a what? » 😉 ) has this feeling of the past : the best years of the 00s indie rock. Its slow progressions, eery voices and a perfectly balanced mix of rock and synth makes it a perfect portrait. Like listening to « daddy’s polished new music », it does, nevertheless, feel like trying to recapture the the best of the past. Bring me back to the glory daze.

    Man On Man is Wholesome Duo.

    They started their show with a kiss and I was already smiling in my heart. I must say, that aspect of their brand is really cool and novel. Gay men didn’t really kiss or showed affection like that in Montréal back in the 00s. On stage like on their album « Provincetown », it is clear that they love each other pretty much and I enjoyed wittnessing it.

    Stage Presence :Slinging their guitars like big dicks

    Guitarists are hot. Ask any groupie. They are way hotter than djs even though djs are hot too. I couldn’t help myself but to be slightly aroused by the guitar gymnastics of the duos « man on man ». I had a video on my stories of them almost rubbing their two guitars together. I mean guitar playing steams from the penis and these two were definitly vibing together. The couple effect of Man on Man was in full action.

    In conclusion

    If Instagram does not show your crush a picture of you then don’t try 😉 meaning I definitly didn’t make an impression on them. Though I am glad to have seen a rock gay duo à la Daddy & Son. I liked how they stayed relatively prude compare to your average « queer performance » : the fact that they stay pretty clean about their performance is even hotter. It is definitly palpable that they love each other and sometimes less is more.

    MAN ON MAN are currently on tour

    Last note crowd incident

    Let me put my Québécois hat and tell you about a unsound incident in the crowd. After a joke of the singer about his inability to communicate swiftly in french, a guy in the audience softly shouted « Fuck French » just loud enough so people around we could hear it but not the band. This is a great example of « your typical Canadian micro-agression against Québecois » for no reason. I didn’t say anything but it was hurtful….especially since nobody said anything. The double-standard is weird for such a « queer militant » space. I say this to raise awareness about those kind of « unsound » incident in Montreal when you are Québécois : they happen all the time. And to break the « narcissistic » canadian nice guy image, they only do that to us. It is like if every culture has the right to live but ours. They would never had said that about any other culture. End of the drama.

  • We Need To Talk About Hell’s Kitchen Gay Scene (2023)

    We Need To Talk About Hell’s Kitchen Gay Scene (2023)

    Tom Tales was in New York Hell’s Kitchen, more particularly at Hush for Bears Happy Hours when they played Michelle Branch and Vanessa Carlton back to back. Hiding in a corner while the female equivalent of Nickelback singed while holding is 9$ beer, he became hopeless….. what has become of gay culture and New York « edgy » bars? Britney was not even on yet but he felt she was about to come….He later told me Christina Aiguilera “Genie in a Bottle” is a hit at Flex……

    Manifesto : We Need To Talk About Hell’s Kitchen Music

    Welcome to The Corporate “Taste” du Jour : a place where you are free of any judgement about anything you like and where only money drives the intentions of any given cultural statement. Music is not art, it is a way to make you drink. Inclined with Spotify, major labels and what television tells you, you will be able to listen to it while working at the bank or shopping at the mall. Drake is your friend and Taylor Swift is your god! « Gurlll », you are in heaven!

    If you think the previous songs are jams, then you have very corporate tastes my friend.

    The Musical Gay NPC lives in Hell’s Kitchen!

    A musical NPC (Non-Playable Character) is unthreatening to the system and willing to spend a fortune on things fed to him by the machine without question. They are everywhere and perfect fit to justify paying overpriced tickets for any Live Nations Act while buying this new Ice Spice Starbuck Coffee after clicking on targeted ads via their latest iphones.

    I Will Become A Machine

    Machines took over the music in the last 5 years. It means now, every bar and coffee shop in America runs on Spotify playlists.They just work, are easy to use, reliable and somewhat good.

    Flat White Corporate Taste all over America

    The dark side of the machines is that it flattens our general music taste and leads to mainstream. I have travelled to many cafes, and they all now play a derivative of lo-fi Chill Cow music. No personal flavor : New York is not special anymore.

    Lets put it this way, Netflix pays for shows. Thus, it is good for Netflix to have the highest number of listeners for the lowest number of shows. So what does the algorithm do, it curates the specific to bring you slowly towards the mainstream without even you noticing it. IT TRAINS YOU to become generic. That is what it ALWAYS DOES. The ads money is in the mainstream….and these companies want money…..

    Don’t brag about your Spotify Recap

    Think about this. Did you really picked the song on your playlist or was it the machine based on your “tastes”. Either way, don’t brag about it : it is not healthy for humanity.

    (2025 update : it is the machine)

    In retrospective, normalizing that the most expensive bars in New York have the lowest taste in music is marking the death of the city : corporate bankers can’t have good taste since they are the machine.

    Tom Tales is considering going to Coachella with a plan payable in a 12 month plans after hearing one song of one artist on « randomly » on Spotify.
    It was called : Do it gurl!

  • Sour Candy & Chaos : my life with Michael Alig : The « Real » Sequel to Party Monster (2024)

    Sour Candy & Chaos : my life with Michael Alig : The « Real » Sequel to Party Monster (2024)

    The Parties have died a long time ago and the jail time has been done. After 17 years, Michael Alig, former King of the Club Kids, is now free once again. After being incarcarated for manslaughter, what will happen when the infamous Club Kid Killer comes out? No one knows better than the ones who actually lived with him. Riding the craziness of his everyday life, here is the natural sequel to the cult classic Party Monster

    voici

    Sour Candy & Chaos : My Life With Michael Alig.

    The Club Kids « Myth » never faded out

    The « Club Kids » were a group of young party creatures that populated, shaped and ruled the nightlife of New York during its heyday, the 90s….. until today. They made more, more, and more …than anyone. Michael Alig, among others including Ru Paul, was a pipe pier of the movement, organizing many parties in the biggest clubs of the city. Disco 2000 was his weekly party at the Limelite.

    To put things in perspective Disco 2000 was a Wednesday party that involved regularly around 2000 people paying up to a 40$ cover price….in 1991. It lasted 5 years and propulsed Michael into a stratosphere of fame, glamour and excess.. 30 years after its end, we still talk about the era and its grandeur.

    Sidenote : They were the first young « Gays & Trans » on television.

    As a way to promote his parties, Michael Alig setted appeareances on various 90s talk show showcasing his group of young outcasts, they became the first generation of gays on mainstream television. Unappolegetic, they had the looks, the youth, the ambiguous gender and sexual orientation to capture America’s attention. These shows helped shaping the look and attitude of the gay scene for years to come.

    Watch the clip here : 
    https://youtu.be/NRTNy_PuEOk?si=tggcjuyGz16gKYEg&t=683

    The Sequel to « Everything that happened before »

    At the height of his popularity and under scrutiny of the FBI, Michael Alig murdered a fellow club kid and drug dealer in a twisted drug haze in his appartement.

    The well is poisoned beyond repair : the scene and his legacy have this unwashable stint for years to come. To make matters worst, he tried to hide it and was free for around 6 more month after his crime, like detailed in Party Monster 1. The swindle collapsed was sentenced to 17 years in prison until his release : where Sour Candy & Chaos starts.

    While Party Monster tales : The Rise, Transformation & Downfall of Michael Alig & The Club Kids, Sour Candy & Chaos tales The Comeback & The Afterlife.

    A shocking intro

    From the get-go we are literally inside Michael’s daily routine : no curtain, no wall, nothing. It does feel at time like reading the Kurt Cobain journal : lot of details about someone’s private life exposed with a certain morbid fascination. It makes you wonder how Michael would have felt having his life revealed like that.

    Not yet a friend, nor a roomate, the narrator is waiting calmly in his Bronx appartement until arrives the « famous » friend of his husband Ernie Glam. Michael Alig, the Party Monster himself, enters, followed by James St-James, and a bunch of camera crew. The Party is On.

    For this « next chapter », the perspective of James St.James is taken this time by the author, David Maurici, husband, of the club kid Ernie Glam (the Chicken in Disco 2000s), one’s of Michael closest relationship. His perspective is very insightful on the « behind the scene » of the glamourous life of party makers.

    The Comeback Kid Magazine : The Pee-ew

    Our protagonist, now free, is on path to reclaim everything he lost that night : his once coveted fame and position. Uploaded with a new image : le peintre, Michael Alig, though, cannot throw parties until his parole ends nor can he takes drugs.

    Nevertheless, the « club kid » still has it for up-and-coming trends ; he quickly discovers the relishly new possibilities of he internet and  e-shops. For the fame …or the fortune, he starts a satire of The View, on Youtube, a show called The Peews and sells club kid memorabilia. This is 2017, everything could happen now!

    I was a listener of The Pee-ew. I watched it with amusement and its daily dose of gossip was quite entertaining and soothing. Jake Paul was yet to be even an adult and it felt like Michael Alig still had a shot at reclaiming his nightlife glory.

    Welcome the Cancel Culture Michael!

    Unfortunatly, for him, the queers of New York didn’t appreciated his antics and his comeback was blocked by another group : The Culture Whores….ironically the spiritual daughters of the Club Kids. More than this, his badmouth also prevented him from cutting a deal with the production house behind the first Party Monster Movie and Rupaul Drag Race : World of Wonders.

    New York was having a blast putting him down and he was not having it!

    The Drama with The Culture Whores is still iconic to this day.

    When reality sinks in : everyone is sad

    The book retails the drama behind the episodes and depicts an individual extremely conflicted by his story and plagued with self doubt while looking pretty chill on camera.

    The bridge with reality of experiencing the show while it aired and now hearing about all the drama is very interesting, yet very unfortunate. Riddle with self-doubt, a crazy ego and a forever legacy to transport as a burden, one expression is de mise : Self-sabotage.

     

    A cautionary tale for all procrastinating artists

    The book gives great insight on the life of a struggling artist trying to reclaim his glorious past old of more than two decades. It is a great warning filled with self doubt, procrastination and doing too much at the same time : on some level it feels extremely relatable : in a way, Michael was destroyed by the internet and his ADHD behaviours were worsen by it : a warning for everyone.

    Spoiler Alert : he dies from an O.D. alone on Christmass Covid Day

    We can’t really assume Michael had any closure with his mom, but we do get some insights on the behind the scene « real » vibes behind his iconic « parade of his mom on ecstasy in the 90s ».

    Michael Alig had probably one of the saddest life and one of the loneliest death. After spending 17 years in jail and 5 of them in solitary confinement, he died from a fentanyl laced heroin overdose on Christmass Eve during Covid. His controversial ashes are back in Indiana close to his mother..

    The book shares some follow details to his release. For sure, it wasn’t all that pretty behind the glitter and the glam.

    Added to that, he never realy was capable of fully expressing honest remorse about his terrible crime and also, his probable bitchy moves and antics he had done in the past while in power : he had a lot to be forgiven about.

    Closure in death

    This book that no one waited, actually seems to put closure on Michael Alig’s life. From a biais perspective of a « frenemy » his life is effectivelly tailed until his death on Covid Christmass Day.

    Unlike what his contemporaries probably thought, his aura lasted until many years after his initial demise in 1996. Michael Alig had a unique taste of what was edgy and a capacity to express it in a party manner unique to himself. He had the « provocative witt » and was a key figure of the 90s.

    Had he persevered, showed remorse and stopped self sabotaging, he could have been a key figure into making New York cool again.

    Because, let’s face it, New York is not as important culturally as it was 30 years ago during his heyday.

    In a twisted way, New York needed him to be New York but elsewhere around the world. As depitcted in the book, he, ultimatly, refused. It does seem like a stretch, but it reminds of the unique reasons who Elvis Presley never did a show outside the U.S.A. ultimatly died of it.

    MAKE NEW YORK COOL AGAIN.

     

    Buy Michael Alig’s Sour Candy & Chaos from author David Maurici here : https://a.co/d/3IiSO4w

  • Michael Alig : Can New York ever process the legacy of the Party Monster(2023)

    Michael Alig : Can New York ever process the legacy of the Party Monster(2023)

    The life of  Michael alig was filled with highs and lows. Infamous drug addict and later murderer, he would, nevertheless, revolutionize the art of party in New York before falling into disgrace after the murder of Angel Melendez, his drug dealer and follower. Imprisonned for most of his adult life (17 years), he would later die from a drug overdose on Christmass Eve right into the covid pandemic. How can  New York process the life & death of one of its most prominent and infamous party icon?

    Beauty In The Beast (A difficult heritage to embrace)

    If you ever had organized a party, you can relate how much of his work was pure art : the magnitude, the frequency (1 party a week is INSANE), he was at FOUR! Also the cultural impact of it (Where do you think Rupaul & friends come from?) HIS SCENE. There is no denial to it. And we must stop pretending it wasnt as important in nightlife culture as it was. Nothing since then, came even close to it. 2000 KIDS EVERY WEDNESDAY PAYING A 20$ COVER IN 1991. That is like 40$ bucks in 2023 on a freaking wednesday. hmmm no.

    Making the Monster

    I know he killed somebody. But bro, Disco 2000 was 2000 kids ! EVERY WEDNESDAY .20$ cover in 1991!!! in MANHATTAN, New York : THE LAST GLORIOUS AGE OF CLUBS and he was only 26.

    Bro you like or not, but Michael Alig was instrumental to that age and on top of the pyramid #facts. Like P.Diddy he called the shots. That is not me having a point of view, that is factu. He gave a job to RuPaul BEFORE THE FAME… whatever she likes it or not He made Leigh Bowery performed in New York. FREAKIN LEIGH BOWERY. Boy George would hang out at his clubs just because …. Bjork was chilling with his crew. Madonna used to vip his clubs to see what what hip. NO QUESTION ASKED.

    An underniable walk of success (His accomplishment)

    If you ever had organized a party, you can relate how much of his work was pure art : the magnitude, the frequency (1 party a week is INSANE), he was at FOUR! Also the cultural impact of it (Where do you think Rupaul & friends come from?) HIS SCENE. There is no denial to it. And we must stop pretending it wasnt as important in nightlife culture as it was. Nothing since then, came even close to it. 2000 KIDS EVERY WEDNESDAY PAYING A 20$ COVER IN 1991. That is like 40$ bucks in 2023 on a freaking wednesday. hmmm no.

    Gays & Trans People on Mainstream Television

    The problem with facts is that they are undeniable. To say that Michael Alig’s run of mainstream talk shows bringing « freaks » for views and publicity had one understated effect : it was probably for most « young Americans », the first time they say gay & trans in their life. An example would be the presence of Amanda Lepore on Geraldo in 1991. After being asked if she is a male or a female, she simply puts that she is the « idea of woman ». This was on mainstream television, 20 years, before gay marriage was legal in New York. Again on that same show, when being asked if the intervewees are gay, none of them.


    A legacy maker and honorary

    He made Leigh Bowery performed in New York. FREAKIN LEIGH BOWERY. And Leigh Bowery was not cheap.

    A tradition created at Studio 54

    Following the steps of Steve Rubbel (infamous but notorious owner of Studio 54), he made sure people were there, at the door, to make sure your average joe bloe did not enter the club. Yet 2000 people were ready to pay 20$ in 1991 on a Wednesday. Mind you, he was only 25 then….FREAKING 25 years old.

    An era of Decadence

    When you look at the mainstream success of American culture in the 90s, there is a common denomitator that only grew bigger until the « 2000 bug » : the apocalypse. Put in Fight Club, Kurt Cobain, Californication, Marilyn Manson, Columbine even the Simpsons, Alexander Mcqueen, Heroin Chic, The Prodigy Firestarter, Nine Inch Nails’ The Dowward Spiral, Radiohead’s Ok Computer…Trainspotting, there was this sense that society was falling and this walk towards a certain rebellion mixed with apathy became more and more extreme gore. Marilyn Manson’s Antichrist Superstar is probably the pinacle and Columbine the horrible aftermath. In that vein, Michael Alig’s magazine « Project X » was putting ads of « CRACK » next to Armani ads. Where could it go wrong from there? This romantiscm of descending to hell feels very original especially of the mainstream stars of that time. But Courtney Love didn’t seem to have such a great time the year she was the most relevant (1995) as « Live Through this » came out 3 days after, her husband, Kurt Cobain, did himself with what was found to be 5x the lethal heroin dose amount in his blood. This bloodfeast drug days had a cost. Lives were lost and art that had a lasting impact on the world, was made.


    But, wait a minute

    It does put a context around these bad behaviours. Remember all those people were under 30 at the time and on top of the world. This kind of fame has been rarely seen before at that magnitude.

    Celebrating American culture yet with comments


    Hard facts

    Michael Alig did do great parties that shaped the nightlife of New York. He also did a lot to promote on mainstream level the idea of queerness and gender bender.  New York was a place of culture and music that still resonates with today’s antics. All of this before the age of 30 years old.

    The Vision


    According to Ernie Glam, the Club Kids had a vision : to go as extreme as possible to leave their imprint on New York. It was their plan and that is what they did.

    An Influençal group of pals

    Bro you like or not, but Michael Alig was instrumental to that age and on top of the pyramid #facts. Like P.Diddy he called the shots. That is not me having a point of view, that is fact. He gave a job to RuPaul BEFORE THE FAME… whatever she likes it or not He made Leigh Bowery performed in New York. FREAKIN LEIGH BOWERY. Boy George would hang out at his clubs just because …. Bjork was chilling with his crew. Madonna used to vip his clubs to see what what hip. NO QUESTION ASKED.

    Marilyn Manson/Walt Paper Case


    Marilyn Mason 90s il litterally a straight version of the club kids as seen on Geraldo (tv spots organized by Michael Alig) and most literrally Walt Paper’s look. When you compare them both, it is obvious. There is a latter comparaison also between Lady Gage « Fame Monster » cover and Kenny Kenny looks (the wig).

    Madonna’s odd spiritual journey’s and Dj Keoki’s All Mixed Up Cover


    Marilyn Mason 90s il litterally a straight version of the club kids as seen on Geraldo (tv spots organized by Michael Alig) and most literrally Walt Paper’s look. When you compare them both, it is obvious. There is a latter comparaison also between Lady Gage « Fame Monster » cover and Kenny Kenny looks (the wig).

    Bjork hanging out with kids.

    https://www.youtube.com/embed/w3kGy_S5HjEA common theme is that there were very close to the culture that became mainstream in a very respected way. You have also to remember that all these people were under 30. I mean, Michael Alig, was 1 year older than Kurt Cobain and literraly fell from grace shortly after his 30th birthday.

    A fallen monster : The inevitable creation of a myth

    Okay you want to virtue signal that bad people are bad, but can you shut the fuck up when no one asl your opinion on the body of work of someone.

    They come on stage when the performer leaves

    The bliss of not Knowing

    Nobody knew how things would end. It is tempting to know afterwards but it is hard to judge people that knew him before everything happened.

    How do we process?

    As a society we need to set up values and principles to guide us into separating the good from the bad. The problem with Michael Alig’s life is that, low key, he is very respected by party organizers and socialites. New York still parties like the Club Kids do but maybe just in a lesser manner. Before Michael Alig’s party, nobody really dressed out as a Space Punk Commander to go out and party. And on multiple occasions, he led the « A-B-C »s of doing it. Him as well as his group of followers.

    Separating the beauty from the beast

    Okay you want to virtue signal that bad people are bad, but can you shut the fuck up when no one asl your opinion on the body of work of someone.

    They come on stage when the performer leaves

    Fallen Angel : A glamourous descend to hell

    Kurt Cobain said that after becoming a rock star, he decided to become a junkie and live the « sex,drug & rock’n’roll » lifestyle he always read about. It does feel part of our culture is look at our icons burn in glory until it is too late. The 00s had the barbie icons (L.A. Socialites)  and Camden druggies (Amy Winehouse & The Libertines). Those glamourous descend to hell made great documentaries….

    Drug Usage : Hitting the point of no return

    Hiding and dismembering a dead body while a seventeen years old was living in the appartament is unforgiving….to later use his drugs and share them with pals…..vomits

    Yeah, so apparently, son of famous writer Paul Auster, was a roomate (and lover) of Michael Alig (30) when the murder and dismembering of Angel Melendez happened….That is already two lifes « fucked » forever by Michael Alig’s action. Then you have his accomplice, Freeze, from his written confession, seems to have been drawned after reacting to Michael Alig’s cries for help. Then this girl « Gitsie » who died of a drug overdose, at 22 while awaiting to be a witness in Peter Gatien’s trial. Michael Alig was 30 when he was hanging it out with her and doing drugs, being « bestie », as she was only….19. #redflags.

    It does feel the private life of Michael Alig was turmoiled by abuse, overbearing « problems’ sharing », disrepect, « transactional » love, and prey on young people which is especially reprehensible. Michael Alig had bad karma and lived with it until he died.

    A note on Angel

    Angel’s murder seems to be the pinacle of bad taste. Even if nothing is black or white, there is this sense of abuse towards Angel prior to the murder. What hurts the most, is the moment he tried to regain respect, his money back and break free, he got murdered…. dismemembered and treated like his life was not even important for people around him (like his family). It is just sad and unfair that his legacy was now forever linked to somebody that he ultimatly tried to break free from. He too, became a myth : the naive victim impressed by the glitters and smothered by the emptiness of the glamour. he was fatally going to be forever linked to Michael Alig on the very occasion he had enough. The more I read into this story and the more I could relate to the bullying as I was in the same position of Angel (trying to get into a select group during college notably selling weed to charm my way in). It ended up very badly, and got bullied immensely for it. I remember my awe (one of them actually become a huge star in Québec) was so intense and my lack of knowing what a secure relationship was so low that I endured the bullying until they literally wrote on a wall that I should die while convincing me that it was okay that they had done so. To this day, I feel so bad about that time…..That event still haunts me whenever I feel powerful and worthy as I felt dispossed of any value and self protection. Eventually that led me to the nightlife community which was full of shady characters and transactional relations. To this day, I wish I had known better. In a sick manner, Angel became this myth as he lost his life in such despicatable and sad manners.

    An unfullfilled legacy

    After jail, Michael was faced with a lot of opposition and backlash. It probably wasn’t the best environnement for him to show his vulnerable side and redeem himself of his past behaviours. There is a chance that we never got to see the pain behind the wall and the intresict details of his traumatic relationships. A great manipulator himself, he probably, at the top of the pyramid was facing a lot of manipulation himself and probably did a lot of bad decisions because of poor counselling from his pals or business relations. Mind you, he was only 30 years old when he went to jail. Nevertheless, had he adressed his mistakes with honesty, vulnerability, accountability and actual change, he probably would have survived and free himself of the guilt. But he did not. His last party called « Outrage » was a bit « toned-deaf » when you think about vilains redeeming arcs.

    The « ABC’S » of a great party

    Like it or not, Michael Alig knew the recipe for a great party like no one. He taled about it retlenlensly. For any party organizer, this is gold. He had an outlook on popular culture that few had and gladly shared his thougts and visions about it. That is precious knowledge for anyone trying to keep the party happening. His downfall too : how success (especially at a young age) will destroy you from the inside. It is like a lantern about what and what not to do. New York has to appreciate that input to move forward.

    How do we reconcile?

    There is two perspective : the people who knew him personnaly, on the inside, and the rest. For the first group, nothing in this article can heal the personal wounds someone may have after being publicly humiliated or ashamed because of his words and actions. For the rest, like for New York as a whole, it is to be lucid about his legacy : great parties, a love for culture and great warning for doing too much. The myth, the parties, the cultural legacy is something that changed a lof of people lives for the better. For that, we must separate the art from the person and keep only the good while acknowledging the bad. For the bad part, it is to acknowledge that no one should want someone like that in their life, no matter successful how they are.

    Conclusion

    Okay you want to virtue signal that bad people are bad, but can you shut the fuck up when no one asl your opinion on the body of work of someone.

    They come on stage when the performer leaves

    Note on the autor

    Hey my name is Tom Tales. A very important in my life is fairness (libra – libra). This article tries to answer the question : should we overview and forget to recognize Michael Alig contribution to New York because of the horrendous crime he did. In short, this article will prove that no since his contribution to nightlife was not meant to perpetrate crimes.